Showing posts with label Sigourney Weaver. Show all posts
Showing posts with label Sigourney Weaver. Show all posts

Sunday, 2 March 2025

The Gorge — A Review.

*Spoilers*

28th February, 2025: The Gorge.

If you’re reading this … ?

You’re possibly aware of the day of the week you’re reading this on: but not necessarily when I started writing the thing!

So you know?

I’ve started writing this piece on Friday, 28th February, 2025: with the intention of finishing it by Sunday, 2nd February.

Hopefully.

At any rate?

I have little in the way of cash, or company.

So … ?

I’m going to watch a film.

Then … ?   By Sunday?

Tell you what I thought about it.

Hopefully?

I’ll’ve enjoyed it!


~≈🎬≈~

Saturday, 29 December 2018

Alien: A Review

28th December, 2018.


Yes … 

You have just seen the intro video, there, haven’t you?

Just in case you’re wondering … ?

Just in case you’re wondering about the Japan reference, there, I’ve got Japan’s Tin Drum album on in the background.


It’s both a personal favourite, gorgeous to listen to … 

And possibly something I’ve listened to a lot, at this time of night.

Good knows what the neighbours must be thinking.

Either way, it’s a LP I like listening too, while I write … 

~≈§≈~

Which is possibly something you may or may not have worked out.

As I think I’ve mentioned the blessed thing a few times … 

Funnily … it’s also not a CD I’ve ever owned … 

Nor, unfortunately, am I ever likely to.

Who buys CDs, or DVDs, these days, with things like Spotify, iTunes, Amazon Prime and Netflix?



That sad fact, there, is that record retailers, HMV, have gone into administration: and their owners make no bones about the fact that the move to streaming and downloading has played its part.

It’s sad: and believe me, I’m sympathetic to what the staff are going through, having been working at Threshers, when it collapsed.

But … ?

I can’t help but think a better online offering from the company could’ve been helpful.

Let’s face it, we all of us finding the streaming option so much easier than walking into a shop.

~≈§≈~

That’s not necessarily always the case.

Sometimes?

Sometimes we can happily watch a movie on DVD or blu-ray.

Although, personally?

I’ve not actually owned a DVD player for 3 or four years: if you see me mention my movie collection, that collection consists of digital files I’ve either bought on iTunes, and streamed across the internet.

Or digital files I’ve ripped, and have stored on an external hard drive.

That later, I can watch on my AppleTV.

That later option, raiding that external drive?

Is something I’ve done, tonight.

Yes: I’ve not seen fan favourite, Alien, for some time … 

~≈§≈~

Monday, 8 October 2018

Nik Nak’s Daily Teaser — 8th October, 2018

8th October, 2018.


Yep: I’m up late.

I HATE getting up late!

OK, I’ve another day off, today: so it’s not as if I need to be anywhere, sharpish.

But still … 

~≈§≈~

In other parts of the world … ?

I got to see The Woman Who Fell To Earth, Jodie Whittaker’s first episode of Doctor Who, last night.

I think I’m with everyone else.

She’s great!

So good, I’ve got The Woman Who Fell To Earth on in the background … 


For the third viewing.

~≈§≈~

Wednesday, 15 July 2015

Chappie — Fun without Dogfood … !

15th July, 2015.

You know, there’s a few things I’ve done in my time.

Some good, some bad … 

Some downright silly … 

Actually, now I think of it, there’s quite a lot of downright silly.

Certainly a lot that I’ll not talk about, here … !

Ahem … !

But one of them … ?

ONE of those things is staying up late: on a night before I have to be at work, early in the morning.

Doing something I’ve not done for a while.

Yep.

You’ve guessed it.

Watched a movie.

And, in this case … ?

Caught the recently released fort rental, Neil Blomkamp film that IS … Chappie … !

And yes.

It’s isn’t dogwood.


~≈Á≈~

Sunday, 5 April 2009

Alien: In Space, No-one Can Hear You Eat Popcorn … A Review

Ok, I know what the actual tag-line was, but …

Never mind.

Quite frankly, things are quiet for me, as you know: a lack of money, little to do and nothing on the horizon, dictate staying in at the mo.

Mind you, I’ve a nice — if not extensive — film collection to have on in the background, while I plan for my future, browse how eBay works and send out job emails.   (The local off-license where I work has had its opening hours shortened by head office – while I can understand why and still have my contracted ones available, it is a touch … not alarming, per se, but certainly worrying.   And makes trying to find another gig rather more important.)

So as I browse jobsites, send emails, and write this, I’ve had the 2003 directors cut of Ridley Scott’s Alien playing in the background.

And with or without extra scenes, a good one to watch.

It’s been a while since I’ve watched the original 1979 theatrical release.   I think I’ve concentrated on the director’s cut, since I got my copy: about the only differences I can spot are a scene, towards the end, where Sigourney Weaver, as Ellen Ripley, finds Dallas — the ships captain, played by Tom Skerritt — glued to a wall by the alien and begging for death, along with an earlier one where the crew are arguing outside the Nostromo’s medical bay.

Like I say, it is definitely a film worth watching*.

I was too young to see Alien at the cinema when it was originally released, but I can remember seeing it on video, when the time came.

Don’t forget, this was only two years after the UK release of Star Wars Episode Four: A New Hope±; something that seriously altered cinema. It meant studios had to at least look at starting to compete with the TV set’s in everyones home.

By making and screening Big Cinema Events.

And that suddenly, science fiction stopped being geeky and laughable and started being respectable money earners.

Granted, there were a few stinkers.

But Ridley Scott’s Alien isn’t one of them.

It made things perfectly clear to movie goers that science fiction wasn’t all about gallant rebels having light-saber fights with panting, evil space lords.

To put it not to bluntly, Alien made people jump out of their skins, as often as Ridley Scott felt he could get away with.

Star Wars was the Light side of the Force.

But Alienª, with its H. R. Gigerº designed creature, a cast being killed at a rate of knots, and the greasy feel of an articulated lorry with blood on every wheel, came howling out of the darkest corners of the universe.

And left a mark on the genre that’ll be a long time in fading …

Actor
Character
Tom Skerrit
Dallas
Sigourney Weaver
Ripley
Veronica Cartwright
Lambert
Harry Dean Stanton
Brett
John Hurt
Kane
Ian Holm
Ash
Yaphet Kotto
Parker
Bolaji Badejo
Alien
Helen Horton
Mother (Voice)
Eddie Powell
Alien (Uncredited)


Director
Ridley Scott
Writers
Dan O’Bannon and Ronald Shusett (Story)

Dan O’Bannon (Screenplay)








*        It also means I almost missed ITV4’ showing of the 1973 original “The Wicker Man”. Which is a whole other post; one that’ll probably mention Britt Ecklund’s stunt bum … and folk songs.
        Oh dear, the folk songs …

º        It also had concept art from noted artists Ron Cobb, who did most of the art for the Nostromo, and from Jean ‘Moebius’ Giraud – but I’m not too sure if any of that made it to the screen.

ª        You can read about Alien, here, by the way.

±        I’ll have to confess, I can’t think of Star Wars, as Star Wars Episode Four: A New Hope. I grew up when it was still just Star Wars …