Showing posts with label Sci-Fi. Show all posts
Showing posts with label Sci-Fi. Show all posts

Thursday, 24 November 2016

Dune: A Thought ...

Can I ask how long you’ve reading Nik Nak’s Old Peculiar?

Hopefully?

It's been for some time.

Long or short,  you may not know I'm a fan of a few things.

Doctor Who, for example.

Macs, as another.

The works of the late Terry Pratchett are in there.

Oh ...

And the Frank Herbert novel, Dune.

Ever since I first read it, when I was seventeen.

~≈Ê≈~

Tuesday, 23 August 2016

Australiens — Or, how To Have Fun In Brisbane … 

22nd August, 2016

Ouch … !

How do you like that for size?

JUST as I’ve gotten to thinking I’m having a nice relaxing evening?

Yep … 

My guts start — mildly — twanging.

IBS.   Don’t you just love it!

Although, to be frank … ?   Maybe that cheeky chocolate bar wasn’t a sensible idea.

Not after sitting down for two hours.

Watching … Australiens … !

~≈É≈~

Tuesday, 6 October 2015

Mad Max: Fury Road: A Review … !


5th October, 2015.

Now, it has to be said, I like a film or two, now and again.

Who doesn’t?

After all, I think part of what makes us all human is a desire to tell — and listen to — stories.

All the way back from when — as cavemen/women/persons — we sat around a fire, telling each other of gods and monsters.

All the way to now: when an account with Netflix, Sky or iTunes has replaced the communal fire.

And gods, monsters, myths and legends have been replaced with other things.

Personally … ?

Personally, I’m the same: I like a tale or two.

As, I suspect, do you.

We like stories.

TV.   Books.   Hell, poetic epics!

Oh … and as I think I’m trying to say … movies.

I’ve been looking forward to one for a while, now.

The fourth member of the Mad Max franchise.

The George Miller directed, 2015, film that is … 


And, yes: I think ‘Nice’ may be under-selling it … 

~≈fi≈~

Wednesday, 26 August 2015

Close Encounters of the Third Kind (Directors Cut): If you’re going to do Spectacle … 

25th August, 2015.

I’ve really been neglecting the fact I have an iTunes account.

Really.

And neglecting the fact I have a little credit in my account to rent movies with.

Work takes up time: as does writing Teasers, minimal socialising, and whatever ever else.

So … ?

A night off … ?

A night off, with nothing on TV?

A night off, nothing on TV and enough in my account to rent a film … ?

What though?

The Falling didn’t quite grab me, interesting though it looks.

Child 44 … ?   Again, interesting looking, but not grabbing me as completely as I would’ve wanted … 

And, much as I’d KILL to have a watch … ?   Mad Max: Fury Road* hasn’t yet been released to the on demand market.

Personally … ?

I went retro: and went and rented a film I’d not seen for a while.

The Steven Spielberg directed, 1977 release that is Close Encounters of the Third Kind.

And, just so you know?

The version I got from iTunes is the Directors cut.

~≈‰≈~

Wednesday, 19 November 2014

The Anomaly: That’s Entertainment … !

19th November, 2014.

It has to be said, I do like a movie, now and again.

No, really.

Personally … ?

Personally, I’m looking forward to seeing Dawn of the Planet of the Apes and The Imitation Game: either renting them or seeing them at the cinema.

Actually, anyone wanting to buy me a cinema ticket and the train fare to Romford, is welcome to.

I don’t think a cinema’s going to be built in Brentwood for a while: ever though the recent consultation that Brentwood Council did, indicated a cinema is something the folk of Brentwood wanted to see.

At ANY rate … ?

At any rate, I likes me a movie, now and then.

Tonight’s rental … ?

Tonight’s rental was the Noel Clarke directed, 2014 film, that is … The Anomaly.

And … ?

Well, it’s far from perfect … 

~≈®≈~

Wednesday, 12 November 2014

Godzilla: Hmmm … 

12th November, 2014.

You know, it has to be said: bagging a job has left me wanting to spend money I’ve already spent.

On the perfectly reasonable assumption that — as yet — I haven’t actually done anything with it.

Or earned it.

Yet.

Which sounds bloody odd, now I come to write it down … 

Hmmm … 

I could possibly re-state that, couldn’t I … 

Yes.   I could … 

~≈®≈~

Sunday, 16 March 2014

Europa Report: Punching Above Its Weight … 

15th March, 2014.
You know, I think I can say I’ve had something of a horrible day, today.

Believe it or not … ?   I was actually hit by a car, as I was crossing the road.

Needless to say, it was largely my fault: frankly, I should’ve been looking where I was going.

And, in fairness to the driver, he immediately got out to make sure I was ok.

I think I’ll be ok: bar some aches and pains, I seem to be ok.

If anything changes, you’ll possibly be the first to notice … !

At ANY rate … ?

At any rate, I’m well enough to have actually rented a movie, tonight: the 2013, Sebastián Cordero indie flick that is Europa Report.

One I think we can say shows us a director coming from out of no-where …

Sunday, 8 September 2013

Star Trek Into Darkness — Look, Ma, NO COLON!!

**SPOILERS**
7th September, 2013.
You know, it HAS to be said. I’m a film fa …

Actually, no.   No, I’m not.   I was going to start off by telling you I’m a film fan.

Except I think that’s possibly not the phrase to use.

Instead, let me tell you I like watching movies,. as many people do.

Like many, I like to be entertained, watching certain genres of film: and certain film franchises, as well.

I’m also on a budget.

So the fact I’ve given up smoking — just over two years ago, now — means that, occasionally and very rarely, I can afford to buy myself an iTunes gift card: and smear out the credit on renting a film or two, and — equally as rarely — buying a single or two.

Rizzle Kicks new one, Lost Generation … ?   Very catchy, if I do say so, myself.



But that’s NOT what I was going to tell you about.

No.

No, I rented a movie, tonight.

And, tempting as it was to contact a few people to see if they fancied joining me, I have to admit to being impatient to see something I’ve been waiting to see since it’s theatrical release.

The film … ?

The 2013 released, J. J. Abrams directed entry into the Star Trek family that is Star Trek Into Darkness.

And I have to admit to having enjoyed myself in the films company.

Right … back in the morning!

~≈Â≈~
8th September, 2013.
OK … 

Back in the EVENING … !


Mostly where I’ve been babysitting my nephew, Jude: short chap in the stripy top, bottom picture, JUST so you know … !

At ANy rate, what I meant to tell you about — before being interrupted by nappies, jigsaws, cars, horses, walks rain and runny around — was the film I saw last night.

The 2013 entry in the Star Trek franchise, Star Trek Into Darkness.

I have to admit, I’ve talked to Kevin D and Graham about this.

I think I can safely say Star Trek Into Darkness is getting something of a mixed reaction.

One I think I can understand.

~≈Â≈~

Set a few years after the original reboot, Star Trek Into Darkness sees the crew of the USS Enterprise overseeing the Federation’s monitoring of the Nibiru: a primitive world who’s equally primitive people the Federation find scientifically interesting, but nowhere near ready for First Contact.

Until the ship is recalled after its Captain — James T. Kirk, reprised by Chris Pine — saves his first officer, Spock: played, as in the first film, by Zachary Quino: Kirk is seriously reprimanded by Admiral Pike (Bruce Greenwood), after violating the Prime Directive, and — as a side effect — being worshipped by Nibiru’s inhabitants.

With the net result he’s demoted to First Officer, Spock is transferred to another ship, and both Are dragged before Admiral Marcus — Peter Weller* — Admiral Pike is the new captain of The Enterprise … 

And Kirk, along with quite a few of Star Fleet’s senior staff end up on the wrong end of an assassination attempt, by a rogue Star Fleet intelligence officer called John Harrison†.

A rogue intelligence officer who ends up on abandoned patch of Kronos^ home-world of the Klingons‡.

You can tell this is going to get messy, can’t you … ?

~≈Â≈~

Now … understandably mixed reactions, AND enjoyable … ?

Yep: I know Kevin D found it frustrating.

And I think I can understand why.

Now, please bear in mind, I found Star Trek Into Darkness as thoroughly engaging and enjoyable as most of its franchise members.

But even though I’ve quite probably missed one or two internal references a more knowledgeable fan would have caught, I’m also very aware that Dr McCoy’s sudden urge to perform a sudden, apparently random, Tribble autopsy — seemingly because John Harrison/Khan’s blood seems to have the remarkable effect of bringing the dead back to life — was a SERIOUS bit of telegraphing.

To the point where, as Kirk is climbing his way into the Enterprising warp core — reprising the climax of the Wrath Of Khan — I knew for a fact that Kirk wouldn’t be killed.

That tribble … 

Well, that thing certainly telegraphed the cop-out ending for me … ?

Anyone else … ?

~≈Â≈~

On top of that … ?

On top of that, I have to admit Star Trek Into Darkness had a hell of a mix of good and bad points.

One thing that certainly struck me … ?

Was the fact that it seemingly couldn’t work out who the principal villain of the piece was.

Both Weller and Cumberbatch were well cast, and executed their roles with verve and menace.

But it hit me that perhaps the having Harrison as a revived Khan could well have been a mistake: that Cumberbatch’s role could well have been just any super-genius, employed as rogue weapons designer and hard-nut.   And that a reintroduced Khan could well have been saved for another movie.

And focused the plot more coherently on Admiral Marcus’ schemes to 

There’s possibly more to highlight: including the relatively minor point that the film seems to imply that any left over tribbles on the Enterprise were a result of the ship’s run-in with Harry Mudd: when, in the original Trouble With Tribbles featured as similar(ish) character called Cyrano Jones.

Hmmm … 

I’m possibly going sideways, here.

I should stress that Star Trek Into Darkness is flawed: possibly deeply, certainly noticeably to fans.

But, as a counterbalancing point … ?

It’s ALSO one that romps along nicely, with a cast that’s more than competent — as far as I was concerned — and one that — uneven plotting aside — certainly had some nice snappy dialogue.

Personally … ?

I’d have to give Star Trek Into Darkness two stars.   Flawed, yes.   Entertaining … ?

Certainly …
Star Trek Into Darkness
★★☆☆























*        They got on the wrong side of Robocop … ?   Oh, well, THAT explains everything … 

†        Played by Benedict Cumberbatch.

‡        Personally, I felt we didn’t get enough of the new-look Klingons: something I hope would be remedied in a future film.   I’m very aware that one of the classic series movies — Search For Spock, if  I remember correctly — mentioned the fact that one faction of Klingons — a sub-culture, almost — were habitually masked: if I ever manage to find a reference, I’ll try and add it.

^        Of course, if you actually speak Klingonº, it’s spelt Qo’noS.   I hope that clears things up.

º        Tlingan Hol, rather than Klinganaase.

Wednesday, 27 March 2013

Primer: Genius … ?

23rd March, 2013.
 
You know, I have to confess, I think — think — that title’s quite possibly right.

You see, I’ve just rented the little science-fiction film, Primer, from the iTunes store.

As you might just have guessed from the poster.

And I’m thinking, here, that it’s possibly a work of genius: because I’m — frankly — wondering what else to call it … 

Hmmm … let me sleep on that, folks … !

~≈§≈~

27th March, 2013.

Busy, busy, busy … !

But I think I can say I’ve slept on Primer*.

And … ?

Well … 

Primer tells the story of a pair of engineering students — Aaron and Abe, played by Shane Carruth and David Sullivan — who, along with friends Robert and Phillip, meet regularly to brainstorm new ideas that they can patent.


And, in the finest tradition of garage engineers, everywhere, making a fortune on the lines of Wozniak and Jobs, or Hewlett and Packard.

That’s not quite the way things goes, though.

Abe and Aaron initially start working on a box-like machine for reducing an object’s mass.

Which turns out not to reduce mass.

No … 

It turns out what they’ve accidentally invented is a time-machine: something the pair use to milk the stock market.

Much as it’s tempting to say “With Hysterical Results” … it’s really not.

Not when the pair realise they’ve got tangled up in their complicated time-loop … 

~≈§≈~

Now, I’m actually going to be perfectly frank, here, if I may … ?

I really couldn’t tell you whether Primer is a work of genius.   Or otherwise, frankly.

But I am pretty sure the film is something of a gem: that I, for one, feel is worth you spending some time with.

With a 77 minute run time, this is a film that, had I the money, I would want to buy.   Primer is an intellectually dense film that I’m — as I write — watching again on my iPod.   Given that it’s a film one needs to pay attention to, buying it would allow me to watch it as many times as possible: it’s complicated, as well as watchable.

Given that … ?

I think I have to give Primer a four star rating …
Primer
★★★★






*        I should add, at this point, I managed to work out how to turn on my iPod’s closed caption switch.   For those of us watching a closed captioned film the same way — via and iPod Touch running iOS 6.x or higher — you’ll need to go to Settings>Video and set the Closed Caption switch to ‘On’.   I hope that helps.

Thursday, 14 March 2013

51 — A Review

14th March, 2013

You know, it has to be said, sometimes, I’m a film fan.

Hmm … that sounds remarkable ambiguous, doesn’t it … ?

What I mean to say, simply, is that I like watching movies.

Sci-fi and horror, for the most part: although I will make an exception, occasionally, if you’re VERY persuasive about a given film.

At ANY rate … ?

At any rate, I know what I like, and head straight for it when I can.

Occasionally, though, I manage to dig up a clunker or two.

I think the worst film I’ve managed to catch, recently, was Orcs: and even though I gave it a star and a half, it was a film was a certain sense of irony to it.

Or, at least, had its tongue stuck in its cheek.

But then … ?

~~≈≈~~

THEN there’s the film I managed to catch, last night.

Or not, to be perfectly frank.

The film in question was the 2011 film, 51: one I’d rented from iTunes, after I’d seen its trailer and felt it was worth a punt.

I think I can safely say this.

I was wrong.

It WASNT one capable of holding my attention for more than about twenty minutes: and that’s maybe 15 minutes more than it was worth.

I’ll leave 51: with 0 stars.
51         
☆☆☆☆
And tell you one thing: 51 is a waste of money.

Wednesday, 13 February 2013

Storage 24 — South London SciFi

12th February, 2013.

Right … 

I’m going to be honest, here: I think the older I get, the more 22:51 hours starts to look like a late night.

But I DID want to at least start on this post: to make sure I told you I’d seen the Johannes Roberts direct, Noel Clarke produced, indie Brit-flick, Storage 24.

And while it may not be the greatest movie in the history of sci-fi-horrors … ?

It IS an entertaining one … 

Right … back in the morning … ish … !

~~~~~

13th February, 2013.

Right … Back to the action: and let’s get talking about Storage 24, shall we … ?

I literally had nothing to do, last night: and frankly … ?   Frankly had just enough in my iTunes account  to rent meself a movie.

And, as you might have already worked out, the one I went for was the Johannes Roberts directed, Noel Clarke produced, film, Storage 24.

Set in the modern day, Storage 24 sees Clarke as Charlie: a man who — along with his old friend, Mark (Colin O’Donohue) — is attempting to get a few last bits from storage: after having been dumped by his girlfriend, Shelley, played by Antonia Campbell-Hughes.  (Who’s likewise supported by her best mate, Nikki, played by Laura Haddock.)

The uncosy little meeting is interrupted, however.

Firstly, by the simple fact an engineer’s in, to fix the shutter at the front of the self-storage warehouse that’s the film’s setting.

Secondly, by the military cargo plane that’s crashed in South London and triggered a military lock-down in Battersea.

And thirdly … ?

Thirdly, there’s something hideous that keeps clawing it’s way through the pipework: and leaving the occasional corpse behind it … 


Wednesday, 6 February 2013

Metropolis: Head, Heart and Hands … 

6th February, 2013

There comes a point when — literally —  you have to sit down with a classic or two.

I’ve always prided myself on being something of a science fiction fan, so for me, that means sitting down with a vintage classic or two.

Including — back in the late 1970s, when it was re-shown at my local cinema, post-Star Wars — 2001: A Space Odyssey.

That’s an experience, I should add.   Catching Kubrick’s work on the big screen is something of a delight: which ever one of his films you see.

2001 is pretty good.   Watching it on a TV — however hi-definition/widescreen that TV is — isn’t quite the same.

But I was saying about classics, wasn’t I … ?   Yes, I was …

~≈†≈~

You see, there’s a school of thought that says — every-so-often — you should make a point of seeing those films that generally feature on bucket* lists: in other words, they’re the sort of film to see before you die.

God alone knows how many of those there are.   I’m willing to bet that if you ask one hundred people for the title of just one such film … you’ll get about three hundred suggestions.

It possibly gets easier if you narrow things down by specifying a genre.   Even then, you’ll, probably still get an argument.

Especially if the genre in question is something like science fiction: complete with Star Wars at one end, Bladerunner at another, and — keep with me — Star Trek at a third end.   Oh, and the original Russian version of Solaris, along with 2001: A Space Odyssey forming a fourth and fifth end to a multidimensional stick.

Things like Weird Science floating around, give people tension headaches.

The less said the better, there, I think.

At any rate … ?   I managed to rent one of those films that’s been seen as a classic.

If not a classic: then certainly genre defining.

The 1927, Fritz Lang film, Metropolis.

Let me try and explain, shall I … ?


~≈†≈~

Wednesday, 30 January 2013

Looper: It’s Not About Your Joggers … 

29/1/2013
You know, I think it has to be said, I’ve seen the Rian Johnson film, Looper, tonight.

And as impressive as it is is … ?

For starters, I’m thinking it’s not going to win any Oscars.

Secondly … ?   Secondly, the simple fact is that one of the film’s star — Hollywood veteran, Bruce Willis — is starting to look suspiciously like Microsoft CEO, Steve Ballmer.

Really.

There’s a thirdly, as well.   I’ve been mulling over the set of ratings I give the films I see: and how giving a four-star rating is increasingly attached to a film I believe you should see, regardless of any objective quality or what I think of it.   Any such film has to be seen: because I think it’s one that you have to make your own mind up about*.

At ANY rate … ?

At any rate, right here and now … ?

I’m thinking Looper isn’t going to be one of those films.

Hmmm … 

Let me grab a good night’s sleep: and I’ll try and summarize … !

~~~~~
30/1/2013
Summarize being the word, I think …

Set in 2044, Looper is the story of Joe Simmons — played by Joseph Gordon-Levittº — who’s the Looper of the title.   In THIS particular universe, some thirty years ahead of the film’s date, time travel has been invented: and declared illegal.

And used quite extensively by the Mafia as a method of disposing of people.

By sending them back in time so they can be shot by the likes of Joe Simmons.

With each Looper being paid with solid silver bars tied to the bound, gagged and masked bodies of the their victims.   Of course, when the Mob feels that a given Looper is getting a touch to old … ?   They send him the masked and bound body of himself, complete with gold bars, to — as the characters call it — close the loop.

Jo Simmons problems start when his old friend Seth loop closing days comes: Seth lets himself go.

And, within a short while … ?

Within a short while, Jo faces the problem of having to deal with the same situation, when his older self —  played by Bruce Willis — is sent back though time to be killed.

Sent back, after having seen his wife killed …

And feeling mightily annoyed about it …

~~~~~

Now …

I was saying ‘… not going to win any Oscars’, wasn’t I … ?

Well … yes …

I’m going to try and avoid sounding harsh, here, so please bear that in mind.

Looper is a fantastic little film, with all four leads doing a fine job of their parts: Emily Blunt and Pierce Gignon rounding out the cast as Sara and her five year old son, Cid, who Young Joe has to protect from his older self.   The writing and dialogue is — likewise — excellent: managing to make what could have been a bloody mess of a time travel plot into something that was both meaty, and easy to follow.

It’s ALSO — in a sense — a very engaging film and watchable film

In that sense, it’s easy to see why Kim Newman — writing in Empire — described it as having “ … a brain, courage and a heart.”

However … 

However, the downside to this, is the simple fact that Looper is something of an exception amongst sci-fi films.

It’s good: but unfortunately attempting to set the bar for intelligent sf that’s already been set — many years ago — by things like 2001: A Space Odyssey, Silent Running and Bladerunner.

Speaking personally, I have to admit, I enjoyed Looper.

It’s a watchable one: but one that left me wanting more: that’s not something I’m totally happy about.
Looper   
★★★☆









*        Yes, Grub, Kevin: I’m talking to you, too … !

º        Who I’d last seen in The Dark Knight Rises: and who — in the makeup, and given I’m thinking having those sort of ideas about Bruce Willis — didn’t half make me think of Danny Dyer … 

Tuesday, 15 January 2013

Dredd:Blood, guts and NO sense of Humour!

14th January, 2013ª.

Putting pictures on Blogspot can be a bother, sometimes.

Especially if, like me, you’ve just added them in from a URL, a weblink.

You have to put them in in reverse order, if you’re putting them in from a URL.

Hmmm … 

Any way … 

That’s not quite what I was going to tell you about, when I started this post.

Oh, no.

No … 

I was going to tell you about the movie I’ve just watched.

Karl Urban’s latest sci-fi piece, the Pete Travis directed film that is … Dredd … !

~~~~~

15th January, 2013

Sorry, I had to just had to get some sleep, there, over night … !

At ANY rate, I was telling you about the film I saw last night: the recent version of the cult 2000ad strip, Judge Dredd.

The film sees Dredd (Karl Urban) — introduced through a routine patrol at the film’s start — being assigned to take Rookie Judge Cassandra Anderson* (Olivia Thirby) on her final assessment as a traineeº.

With Rookie Anderson in charge … ?

The pair head for a super-sized apartment block, called Peach Treesª, to investigate some reported homicides.

What they don’t find out, until they get there … ?

Is that the Peach Trees block is under the control of one Madelaine Madrigal (Lena Headey) — or Ma Ma — who’s a psychotic former hooker, turned drug lord.

And really not a stunningly pleasant person …

~~~~~

Now, I’ll have to admit to assorted … well, let’s call them mixed feelings, shall I … ?

And also to wanting to see this film for some time.   After all, I grew up on the original comic-book version of the character, in the late seventies and early eighties.

That background left me with equally mixed feeling about the 1995 Stallone take on the character which got bits right — the general look of Mega-City One, the sense of humour,  the look of Mean Machine Angel — but also managed to alienate many.

Dredd does not take of his helmet, Mr Stallone!

As you can imagine, that left me looking forward to this … with a certain sense of trepidation^.

After catching this version … ?

I have to admit to having mixed feelings about Dredd.

In some senses, it has a much rougher edge to it than the ’95 film: and arguably, a greater degree of realism.

That’s not necessarily a bad thing: this is, for the most part, a very good — and mostly true to source — interpretation of the strip.   And one that tries to present a plausible near future.

Where I felt Dredd did suffer … ?

Was in a lack of a sense of humour: something I feel the original strip certainly had, when I was reading it: and some thing that Demolition Man, Robocop and Iron Sky certainly had more of.

What can I tell you … ?

If you see Dredd expect a very good effort.

Just don’t expect the character’s sense of irony to have made it on screen.

Dredd.
★★☆☆












*        Whilst it not actually mentioned in the film, the character’s first name is given as Cassandra, relatively early on in the comics.

º        In the comic strips, these are usually carried out in the Cursed Earth, the irradiated desert outside the city walls, and referred as Hotdog Runs.

ª        Sticking reasonably close to the background universe, the city†’s apartment blocks are small vertical towns. 

†       The city in question is the dystopian Mega-City 1: in the comics, it stretched from the northern part of the US east coast, to the southern part, covering — at various points in its fictional history — everywhere from New York to Miami.   In the film it’s slightly smaller, only going from Boston to Washington DC.

^        See what I did, there … ?   I AVOIDED the word ‘dread’ … !

ª        As of 21/2/2023?   I’ve managed to replace the pictures.

Wednesday, 9 January 2013

Total Recall: A Debatable Remake.

9th January, 2013

Hmmm …

You know, the magic of Hollywood is a wonderful thing.

Or, at least, the magic of the film industry.

Seriously.

Let’s be honest, anything that get’s people passionately arguing about a film — without actually thumping each other — is a sort of magic.

No, really.

And I think I’ve got a very good example for you, actually.

The film I managed to catch, last night: the 2012 remake that is Total Recall.

There’s possibly a bit of explaining to do, there … !

~~~~~

The 2012 version of Total Recall follows Douglas Quaid (Colin Farrell): a factory worker whose job building synthetic — robot — policemen and marriage to Lori (Kate Beckinsale) has left him deeply unsatisfied.  Until one day he decides he visit Rekal to have some memories implanted of life as a super spy.

The memory implantation gets interrupted.

By a squad of heavily armed policemen.

Which is where the fun only starts … !

~~~~~

Now … 

I mentioned passionately arguing.

Yes, I did, didn’t I?

You say, I did manage to have a natter, by text, with Kevin D: and had to admit that — while I don’t think the remake is perfect —I’d thoroughly enjoyed it.

Whilst it’s not a completely original take on the material — in the same sense that Prometheus is — Total Recall bounces along at a nice rate of knots, the cast do their job well, and the design work, although obviously copying Bladerunner in the look and feel of the background universe, is beautifully designed.

Kevin on the other hand … ?

Kevin didn’t exactly take to it: and said so rather eloquently.

Personally … ?

Personally I’m giving Total Recall a 2.   I’ll let you make your mind up about it being a stinker or not.
Total Recall
★★☆☆




*        Itself based on the Phillip K. Dick short story, We Can Remember It for You Wholesale.

Thursday, 8 November 2012

THEM!: A Review

8th November, 2012.

You know, every so often, I have to admit I’ll happily rent a movie.

Who doesn’t?

It is a nice form of entertainment, after all … !

And, while I’ll happily stay glued to whatever looks good and recent, I’ll have to ALSO admit that every so often, I’ll get retro.

No, seriously retro.

To the point, where, last night …

I just couldn’t help but fire up iTunes, and rent the 1954 retro Creature Feature, Them!.

Well, sometimes you HAVE to …

~~~~~

THEM! sees New Mexico police sergeant Ben Peterson* and his patrol-mate, Ed Blackburn finding a little lost girl in the middle of the New Mexican desert.

A little girl who’s both in shock, and quite some distance away from the family caravan.   A caravan that is empty of all other human life …

And that’s been ripped open, by some huge unknown thing … !

~~~~~

Now …

I have to admit, I had quite a lot of fun with THEM!.

Granted, this is a film that’s some 58 years old.  But it’s also one from an era when Hollywood didn’t bother making films that went all arty at you.

Oh, no!

THEM! is an all out monster-fest, that goes from scary to moralising about science to scary in the space of an hour and a half.

What’s more … ?

It’s FUN … !

Go Get … !
THEM!
★★★☆








*        Played by James Whitemore: who I’m more familiar with as the sympathetic librarian, Brooks, in The Shawshank Redemption.   Hmmm … one of these days, I’ll have to re-watch that … 

Friday, 5 October 2012

The Day The Earth Stood Still: A quick word


You know … Boring night’s in, on your todd, can be … 

Umm … 

Well, boring, to be frank.

Unless you’ve got something to do or watch, of course.

Actually … I had both.

I had a digital copy of The Day The Earth Stood Still: the 2008 remake, I should add, and something I’ve seen, enjoyed and written about before.


Definitely something to watch.

What tickled me … ?   Was the simple fact I actually managed to catch it on Dirty Gerty, the Media Strumpet.

Hmmm … 

You’re bemused, again, aren’t you … ?

~~~~~

Allow me to do a bit of explaining.

You’ve probably VERY aware I’m a bit of a Mac fan: and one on a bit of a budget, frankly.

But one that who’d been given an aging G4 PowerMac by some of my next door neighbours, who are soon to move out and wanted to save space on the lorry: I have to admit, I happily gave Andy and Claire a polite thank you, and can only wish them well, when they do move.

After all, they’ve given me something to do for a while, along with a cheap media machine.

You see, with nothing else on, last night, I hooked up the G4 up to Bruce — my 2007 Model Mac Mini — through what’s called FireWire Target Disc Mode.

Mostly to get any extraneous stuff off the machine, and transfer a couple of films over.

Which, I should add, worked nicely.

Once that was done … ?

I hooked Gerty up to my TV, changed over to the VGA channel.

And floated around to see how she blew.

~~~~~

Actually … 

She blew rather well.

He says … !

OK, The Day The Earth Stood Still came out looking rather choppy: going by the usual information pane I was able to access doing viewing, the film was going at about half the frame it should have been.

On the OTHER hand … ?

That’s not something I was too worried about, not when I on my own.   (With visitors, I’d be rewiring Bruce.)

And it did make for an interesting viewing experience.

Here … 

Let me leave you with what I thought of the film …
The Day The Earth Stood Still
★★★☆